For Thomas Barnstone, there is something about a cellist that really turns him on, a female cellist obviously, in a low cut evening dress of emerald green velvet, with the great polished instrument between her long black clad legs.
He particularly likes the way the musicians long brunette hair dances across
her naked shoulders and brushes her alabaster skin in frantic rhythm to her
playing as she delivers her perfectly practised rendition to a largely
disinterested audience while sitting in the lavish surroundings of a grand
hotel lobby.
There is something about a cellist that really turns Thomas on, especially when
it was a pale willowy figure of a girl called Deidre, purposefully thrashing
out a piece by Elgar or perhaps playing some uplifting Vivaldi, maybe even some
mesmeric Schubert or God forbid some music to slash your wrists courtesy of
Mahler or Wagner, in truth the music itself really was unimportant.
And strictly speaking it’s isn’t even cellists that turn him on but there was
something about Deidre that definitely does turn him on when she plays the
cello.
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